“Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike.” – John Muir, The Yosemite, 1912.
I feel privileged to be invited to teach for the Yosemite conservancy. Once a year I donate my time and take people to places around the park where we all paint together. The dates this year will be October 23 to 29 which is the height of the Autumn season, so expect spectacular colors all around the park! To pre-register go here and scroll all the way down to the bottom of the list to find my name!
I know many Americans and even Californians, who have never been to this amazing place. Words can barely describe what you’re missing out on! Every time I drive down into the valley it truly feels like arriving at some magical, mysterious location and all my worries and everyday concerns seem to vanish instantly!
Hope to see you there!
Painting, writing and music have a lot in common. Have you ever tried reading a book
that was written with too much trivia and detailed descriptions? After a while it became a chore
to keep going instead of a great read.
In music, if the composition is too complicated with lots of intricate passages, it’s hard to listen
to it. Some Jazz music is like that.
Well, it’s the same with a painting. The artist can get lost in detail and trivia as well. The
camera is already master at recording every single detail. The artist’s job is to take the subject
apart and find the essence. That what gives it life, why it is interesting and why it is worth a
painting and capture that essence.
Every painting has a key component that has stirred the artists soul! It can be the design,
light and dark patterns, the subject itself, for what it is.. The main inspiration.
One of the hardest things to learn is to weed out what’s unnecessary and to develop what makes the scene. If we edit out too much we might end up with a painting that’s somehow not working. If we leave too much clutter we might end up with something that is confusing.
That’s why, once we pick a subject we must have a clear vision of what we want to accomplish. We can’t hope that it will work itself out during the process of painting!
Here are some tips to stay focused:
-Always remember what it was that made you want to paint the scene.
-Unfocus your eyes a lot while painting
-During painting, always step back and check if things are working out
-Never spend too much time on any section of the painting
-Work out a definite focal point
-Keep an eye on the time elapsed, spend too much time on the same piece and you start doing
-Make every brushstroke count
-Try not to second guess what you just did
You can easily see that my blog is about painting, not limited to the watercolor medium only.
Painting is painting, no matter what choice of medium!
A good way to approach a drawing is to first draw in as true proportions as possible, then make a second drawing from the first. This time just drawing the essence of the first, omitting stuff. Simplifying is easier that way, since we no longer look at the original reference but already a ‘version’ of it.
If using a photograph, you can do the same thing. Your individuality will go into the drawing and later the painting, which is what you want. You can always check your changes with the original for accuracy or perspective, but you are essentially making a free interpretation of the picture rather than slavishly copying everything you see in the photograph.
I find that while it also works when painting outside, it is less practical because of the time factor. Light is changing rapidly and it’s difficult enough to do one drawing. It takes many hours of plein air painting to sort of develop the ‘instinct’ of what needs to go in and what can or must be left out! Put in the time!
A drawing or painting is often more interesting when parts of it are left unfinished. The detail and finish in the other areas will have a bigger impact and stand out more.
Ultimately, my goal in painting is beauty as oppose to verification of truth. Generally, people don’t put paintings up that are ugly. I know there is art for all kinds of reason and that’s just fine, but for my art, beauty is pretty important!
There’s more to it than putting pigment on paper. One of the things I have learned is that, not only do we paint best what we know best, but also, we paint best what we truly love! Somehow that love goes into the painting and other people pick up on it. Every scene ‘feels’ different. Early morning, midday, twilight…winter, summer, spring and fall. It is important to convey the feeling of the subject, I think. If I hear that one of my paintings made somebody feel as though they were there, I know I have succeeded!
Light and color have a lot to do with it. They set the mood in a painting. It is one thing to copy nature but quite another to express her in a painting! We must never loose the big message to all the little unimportant detail. For instance, we need to consider the sweeping energy that a tree has, not so much how many leaves there are.
When working from a photograph, I think it’s important to do a drawing of the scene first. By interpreting the scene in your own way, you’ll paint a better picture than you would by slavishly copying everything on the photograph!
some plein air work this week, Yosemite Art Center
Upper Yosemite falls, on a chilly day
Lower Yosemite falls, plein air sketch
Last week I worked for the Yosemite conservancy again. This is my third year in a row and I enjoy spending time in this magnificent place and paint. I taught for four hours every day, helping fellow painters. I do not get paid for it, it’s a way to give back to the community and I gladly do it.
Once again I spent time at the stables and sketched horses. Yosemite is a peaceful place and I love sitting in a remote location, paint and re-charge my batteries, so to speak.
This year we had sun, clouds, rain, snow flurries and temperatures between 31 and 80 degrees (0 – 25 C) I enjoyed every minute of it!