Tag Archives: rainy street scene

Less is more!

After the shower, web

Watercolor painting completely depends on this mantra! I was just about to start finishing the buildings on the right, when it hit me: do I really need to paint 50 windows, the roof with all the chimneys etc. to call this painting done? Will it add anything that would make this a better painting? I think not.

In fact, I think it’s better not to finish it. For some strange reason, your eyes are putting those windows there regardless! Almost like, we know they’re there, so we don’t need to actually put them! Also, I did not like the fact that the tonal contrast (being very strong) on the buildings would take away from the focal point lower in the picture!

As I always say: each and every watercolor has a lesson to teach us! I absolutely love it! All we have to do is paint and we never stop learning.

About composition

downtown crown morning square

One of the pleasures as a volunteer at the National Watercolor Society is to be exposed to all kinds of watermedia art and to see lots of watercolor paintings in real life. While I have learned a great deal just by studying other artist’s works, there were also pretty sobering moments. For instance, it is disturbing to see how many artist’s ‘enhance’ their artwork with photo-manipulating software on their computer and their piece looks only half as good when you see it in real life! That, however is a topic for another post. Or not.

Composition: One of the most important aspects of a picture. There was a time when I utterly underestimated how important it actually is! Luckily, there were people who helped me along. My past teachers of course, but also a lot of studying on my own. A couple years ago I started collecting the catalogs of all NWS exhibitions since 1950 something and whenever I have spare time, I always sit down and analyse artwork of past shows. Surprising how much one can learn doing this!
I also have very good books on the subject matter. One of them by the late Jan Herring, given to me by her wonderful daughter Helen during a workshop. I think it’s out of print, the book title is ‘The painters composition handbook’. Jan talks about letters of the alphabet that can be used as a composition tool by placing them in your work as guidelines for major shapes. Not every letter works, but A, C, H, L, X, Z for instance all work. Then there are triangles, cruciform and other shapes.
Nowadays, I always try to at least apply some of these helpers to my work. Then I let it sit for a bit and double check if everything works before picking up a paintbrush.

triangle compo

These two paintings are almost identical in composition. The big difference is, of course, the light situation. It can’t be any more different, really! Can you see the triangle that I arranged the shapes in this one? To illustrate my point, I drew it on. It made a big difference in this piece. In fact, all the great techniques and beautiful washes etc. are all worthless if the compo is no good!

One last tip: Study great abstract artists like Elaine Daily Birnbaum and others and you’d be surprised to see how much you can learn from them, even if you’re a ‘representational artist’, like myself! I always say that my representational art is 80% abstract anyway!