Almost like formal portraiture? Not really. While painted somewhat formally, I am mainly experimenting with expressions.
These come from photos I have taken of people on the street. Some look lost in thought, sad, haunted, sometimes expressionless. Commuter robots (comm u-bots). When walking around downtown or places like NY you’ll see them everywhere…
I don’t like photographs of people posing. Especially in portraits you see people pose a lot. They are too aware of the camera. It looks staged. I like the candid photos, where people look more natural, unaware that someone is taking a picture. These portraits are not very big. The face of the girl with the long blond hair is only 3 inches long. The other one is bigger.
As for technique, these take multiple glazes to get the right color and value. Direct painting (alla prima) is, unfortunately, not really possible in watercolor so I normally prefer to do work like this in oil. As in oil painting I only used black, white, cad red, raw sienna and ultramarine blue. That’s it.
It is a nice challenge and these can certainly be improved. Always something to learn! As artists I think it is very important to keep evolving, keep pushing. I am considered a landscape painter in watercolor but I refuse to be put in some drawer. Never be static and predictable. Or known for one thing. It’s too easy to burn out!
The art world is becoming increasingly homogenized. The only way to stand out is to do your own thing, not copy other painters’ styles and subjects. Workshops can help only if you get the guidance to find yourself (your own voice) or at least be helped in that direction. Pick workshops carefully! Ask the venue about the instructor and their teaching style. Don’t fall for reputation. There are some with big names out there but they don’t know how to teach you a thing!