Tag Archives: Cheap Joe’s

Available in my workshops: DaVinci Casaneo 498

 

I am so excited and honored to be working with DaVinci Brushes! Introducing my new signature brushes, the Frank Eber by DaVinci Casaneo 498. Sizes 2, 4, and 6 will be available for purchase in my workshops! Most major art supply stores carry DaVinci brushes. In the United States this amazing German brand is represented by Gregory Daniels Fine Arts. If you can’t find them near you, just check in with Gregory!

I was invited for a factory tour at the company’s headquarters in Germany last November and the people at DaVinci introduced their amazing new brush to me. It is just like a squirrel mop but fully synthetic! I was pretty skeptical at first for I have tried many synthetic wash brushes before and they are just not on par with the natural hair brushes. But not this one! I honestly can’t tell the difference to natural hair in terms of water holding capacity! The fact that its bristles never break, something that all natural hair brushes constantly do, is just a nice side effect! It can be pretty annoying to get the broken bristles off the page without it leaving a dark mark behind.

Unbeknownst to me this brush manufacturer has been in my hometown since the 1950s.
To say that I was surprised to learn that would be a big understatement. Some things are just meant to be!

Contact me for availability. Available for purchase at my workshops. More information here.

 

Daniel Smith, Seattle WA

Just back from a workshop and demo gig at the headquarters of this great company!
DS make high quality pigments and were the first to develop Quinacridones, now copied by just about every pigment manufacturer out there. They were also the first to come up with the dot card idea. It was only a small step to develop dot cards for individual artists as we see them today. Dot cards are being copied now as well.
I am happy to say I was the first artist who had his own dot card back in 2011. Since every artists palette changes over time, I have a brand new card now with about five or six new colors.

I make the card available to workshop participants only as it doesn’t make much logistic sense to send it out. I don’t want to charge for it and I don’t want to incur shipping charges either. If you’re curious about DS colors in general, they sell a dot card with a good color selection for five bucks here: http://www.danielsmith.com/Item–i-001-900-501-LIST

I am very grateful to be a featured DS artist and my heartfelt thanks goes to Katherine and John, as well as Joe, Thom and everyone else at the store who took care of me last weekend!

Workshop at Daniel Smith, Seattle!

I am super happy to announce that I was invited to teach a two day workshop at the Daniel Smith store in Seattle, Washington! Dates are August 22-23, 2015. Free painting demo on Friday, August 21!
Not only that, I will also get a factory tour and finally meet the person who is behind all this and has supported me over the years!
Please follow this link for all the details:
http://seattledanielsmithevents.blogspot.com/

In case you have missed my article on pigments, here it is:
http://www.danielsmith.com/content–id-813?utm_source=Body&utm_medium=email&utm_content=Web&utm_campaign=022415FrankEber

My sincere gratitude goes out to Katherine and Joseph for their support and quick work! Thank you!

The 147th Exhibition of the American Watercolor Society in New York City

Last week I was fortunate enough to be voted into signature status with this, the most prestigious watercolor society in this country. Not only that, my painting, After the Ride, won the High Winds Medal award and also had a red dot on it when I walked into the exhibition! Life is good.

I have made many new friends during this trip and I also painted outside a bit. Below are some impressions in no particular order:

Studio set-up

P1050051  P1050050  P1050049

P1050048  P1050047  the mode of transportation

My studio and workstation are pretty straight forward: Good light, great easel, but unfortunately, not enough space on my workstation! I really need to extend the table top all across the room, so I can have multiple workstations (at least two, preferably three) and more importantly, room for all the brushes. I hate looking for a certain brush in the middle of the painting and not finding it! Putting them in jars is not working for me.

A word about the easel: I had to slightly modify it to fit my needs. It needed a wider support piece on the bottom to put the painting surface on. It kept falling off, since the manufacturer only mounted a very narrow dowel there. But it was an easy fix and I love it now! I have three different table easels, one I made myself.

My palette is by Holbein. I have a few of these and they come in different sizes with large mixing wells that have a nice, high divider to prevent overspill into the neighboring well. Most cheap palettes don’t feature that important detail. Holbein makes excellent products.

Many of my brushes are made by JAX, Da Vinci and Escoda. Escoda has the best synthetic pointy brushes that never seem to go blunt! My favorites are Prado and Barocco. Unfortunately, it’s a bit of a challenge to get them in the US.

Lastly, my painting surface is a plastic sheet that I buy at Home Depot. It’s called ‘Coroplast’ and works really well. The other solution I recommend is driving around your neighborhood and stealing those signs that endorse politicians or certain parties in people’s front yards. They are made of the same material! ~~~ I am kidding, of course!

The first picture is just my ‘office’ with my computer and printer