As you can see, I am experimenting with my art a bit right now. The fact is, I am always experimenting. I try to never get complacent, to fall into a rut and do the same thing over and over. Before you know it, as an artist, you are known to paint certain things in a certain way.
You become a ‘one trick pony’.
I avoid that at all cost. I don’t want to be put into such a drawer. I think it is important to never be static and to always change, to evolve, to move on. Artistically speaking, I mean. (Although you could make that argument for life in general as well, but that’s another blogpost… LOL)
On our last plein air outing near Bishop’s Peak, I felt I messed up my painting. At least, I didn’t like how it came out. Being there at the wrong time with the wrong light, I didn’t feel inspired but since my friends all painted I felt compelled to paint as well.
It took another trip to get better references and I feel good about the two I posted here. Both of them are not done plein air. To be honest, I had problems painting this mountain. After a few plein air attempts I figured I needed to move this into the studio to understand what it was I didn’t ‘get’. In the end, I think it was a combination of wrong light and lack of vision. I just didn’t really know how I wanted to see this painted.
The appearance of this peak changes dramatically during the course of the day, so it’s very easy to get lost. Despite all my years of painting outside, I made the cardinal mistake to follow the light. Not so much in the foreground but the light on the peak itself and promptly messed up the painting.
Repainting it in the studio made me realize what had happened. The sunrise piece is done in water-soluble oils. I used to paint lots of oils in the ’80s and ’90s and lately I have been getting back into it more. I apologize for the bad pictures, you can find a better version of the first one here. I need to learn how to take good pictures of oil paintings!