During my recent workshop in Italy, we were able to do the three-day add-on in Florence which turned out to be our favorite time of the entire trip.
Florence (Italian: Firenze) is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area.
The statue of three intertwined figures that is the center of my painting is called The Rape of the Sabine Women (Latin: Sabinae raptae). It depicts an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. The English word rape is a conventional translation of the Latin “raptio”, which in this context means “abduction” rather than its prevalent modern meaning in English language of sexual violation.
I was just as captivated with this beautiful sculpture as the figures I made up for my painting! This is not the original. Just like the statue of David on the Piazza della Signoria, this Rape of the Sabine Women is a replica of the real thing, the real sculpture being situated in the Galleria degli Uffizi, safely away from the elements and pollution.
Upon closer inspection, you will see that I kept the background to a minimum, really just focusing on the shape of the statue and the young men passing by. I love how they all look up while passing by! Almost like all conversation has temporary been halted while they’ve been near this magnificent sculpture. You may ask, “Did it really happen like this?” …Well, it may have happened just like that; I like to think that even young people could be captivated by the power of this eternal piece of art.
Painting from the hotel window (Piazza SS. Anunziata, Florence)
What is a Hum Burgar? (Monterosso)
Last week I taught a watercolor painting workshop The Watermill in Tuscany.
We had a wonderful week and many plein air painting excursions! A heartfelt Thank You to Lois and Bill for taking care of us and making this a memorable trip! I hope these pictures give a bit of an impression of this beautiful part of the world! Lois and Bill have a great location and provide ample Tuscan cuisine with many local specialties. They are well organized and we had the luxury of being dropped off and picked up at painting locations by the father-son duo Paolo and Lucca.
Thank you so much! We just have to do it all over again next year!
Another one from Venice! This one was done early in the morning with that typical haze lingering in the air. I tried to paint as quickly as possible, letting the paints bleed. I feel I overworked the water a bit. It’s so easy to be overwhelmed when painting on location. There are so many things you see at once and the longer you look, the more you start seeing. But like the master painter Joseph Zbukvic says, “You mustn’t put it all in”! I have also found that you cannot put in all the colors your eyes perceive. There’s so much to learn still…
Speaking of the Mr. Z: I am very happy to announce that I signed up for his workshop at Fallbrook, California next spring. I can hardly wait and I am sure it will be an eye-opener in many ways.
My next post will be from CA as I am heading home!
This view was probably painted a million times before. The Basilica of Saint Mary of Health, as it is called in English, was built after a particularly devastating outbreak of the plague in 1630. It quickly became an emblematic part of the skyline of Venice and inspired many big-name artists like Canaletto, Turner, Sargent and Guardi.
As always, it was important for me to get the mood of the place and I tried not to put any details into the building itself. Just the shapes and letting the paint do the work. The only details are the boats and the poles on the left hand side, but I tried to keep those vague as well.
This was one of those lucky shots! I definitely got my tones and values right without fiddling around too much. I am no longer in Venice, but all my work is based on sketches I did on location there. This piece was done with a very limited palette, mostly just ultrablue, magenta and the siennas. I tried to capture the energy of the place, the complete chaos: people moving about, street vendors, some pigeons. Speaking of pigeons: they seem to have gotten rid of lots of them.I remember being in Venice when I was a kid, there were so many pigeons everywhere you could hardly get away from them.
In the background you can see San Giorgio Maggiore, a 16th century Benedictine church on the island of the same name.
It is true that there is a special light in Venice. It’s very soft and milky, perfect for watercolor! It was great fun to visit, I just wish I’d have had more time. I guess I’ll just have to come back again soon…