Category Archives: Czech Republic

Demo and workshop at the Valley Watercolor Society

       (click on thumbnails for a larger image)

I was invited to do both a demo and a workshop for this big group of watercolor painters! My thanks to Barbara Hope and her amazing organizing talent, making this one-day workshop a big success!

One of the lessons I like to drive home in my classes and workshops is that painting is a visual language of shapes, line, value and color. Notice that I mentioned color last! Ironically, students usually get hung-up on color, thinking there is some kind of secret color combination that brings magic into your paintings.

Far from it! The two most important things in painting are values and shapes.

Let’s start with shapes:

Anything and everything we paint is a shape! Let’s say we paint a building with 50 windows and spires on top (it doesn’t
matter what the building is) It is important to get the shape of the building right, the windows are almost irrelevant! Good drawing skills and a sense of perspective are imperative for this task.
I have never seen a good painter who doesn’t know how to draw!

Then there’s tonal value:

Tonal value means nothing more than the strength of your wash, the amount of pigment or pigment to water ratio.
We are basically faking three dimensions on a two dimensional surface! Value is the key to do it. Think of sepia photography and how beautiful it is, yet there’s no color!
If the values work in your painting, it will be a success. If they don’t work, it doesn’t matter how pretty your color mixes are or detail work is, it won’t rescue the painting!

Horse carriage, Prague 11x15, by frankeber 2012      Horse carriage, detail by frankeber 2012   (click on thumbnails for a larger image)

This painting was done in the studio, after an on-site sketch I brought home from Prague. The horse carriage was not in the original sketch. It came from a few pictures I was able to snap when it went by. Please note that the horse carriage is kept to an absolute minimum and the details are not really there! Your eyes fill them in. It is just a few scraggly lines and …here we go: the correct shape!!

Adventures in plein air painting, Part 2

Prague_pleinair1, by frank eber 2012 Prague_pleinair2, by frank eber 2012 Prague_pleinair3, by frankeber2012

In the last two weeks, I have painted on location in Prague, Dresden and Nuremberg.

This blog post is about comments that you get while painting outside. I don’t know what the motivation is for someone to comment on what an artist is doing, but I find it quite fascinating. I think this morning, I had one of the best ones yet–therefore it is time to put them down in writing!

While painting in Prague: (no particular order)

“Excuse me, do you know where the post office is?”
“I am looking for a pub where they serve ‘black beer’, do you know it?”

While painting in Dresden:

“Can we auction this off once you’re done?”
“Are you from here?”

While painting in Nuremberg:

“Do you think I can park here?” (The guy even made me take my ear buds out.)

and the best one yet:
“Did you paint this from a photograph?” (Remember, this is on location, looking at the subject matter right in front of us.)

Random Comments (Can’t remember the location.)(Not everyone is a moron, right?)

“This is lovely.”
“Did you paint this?” (I am still working on it.)
“I can only paint by numbers.”
“I stopped doing watercolors, now I do mixed media.”
“Did you make this paper yourself?”

And lastly, my favorite by elderly Germans, after looking at the piece and watching me for a while:

“Hmmmpf.”

Let’s see what happens in France…

Torrance Art Museum show

Praque streets of, by frankeber 2011

These two images have been accepted into this year’s Torrance Art Museum show, called South Bay Focus.
It’s a group show of several participating local art groups. South Bay is the area between Los Angeles International and the Palos Verdes peninsula.

Streets of Prague is almost a devided painting. The warm colors are predominant in the upper part while the cooler colors rule the lower part. To connect those two major shapes, I put the car and the band of trees in the middle ground so as not to have a complete division by the light strip.

morning fog, by frankeber 2011

Morning fog was a bit of a lucky shot. I used granulating blues and they seem to work in this painting. It creates texture on the facades and street. The cars are barely there and very much blend into the scene. Overall, it is important to have  lost and found edges as well as hard edges in a watercolor. Not too many hard edges though!