Category Archives: California

Sunrise plein air!

Lately, I have been going out to paint super early. Getting up at five in the morning is painful but once I am out there painting in the hills and it starts getting light…there’s just nothing like it! Forgotten is the battle to get out of bed.

The main reason I am doing it is because I am trying to get better painting a scene that is changing literally in minutes. It is kind of a self test. So, I get small canvas papers taped up on my board, no larger than 5by6 and give myself 10 to 15 minutes to paint the scene. Usually, I have time to do one before sunrise and then one more of the same scene once the sun is up.

 

These last two came out alright. I am not too concerned with exactly what I am painting, it’s more about the process itself. I also enjoy being out in nature, so witnessing a sunrise is a privilege that most of us miss every morning. Anything to improve my painting skills!

This is just the latest wacky idea I had so I thought I share it here.

On another note: Check out my newly updated website: http://www.frankeber.com
I am slowly starting to put up oil paintings and drawings, so check back frequently! Website is updated on a regular basis.

 

A Most Songful Stream!

The first picture was the reference photo used to paint ‘A Most Songful Stream’. The location is one of the most visited places in Yosemite National Park, so painting en plein air was out of the question at this spot. Too many people and to make matters worse, this view is from a busy bridge. I thought it would be interesting to see how it was edited and simplified to become more manageable and paint-able!

Notice how the (point-and-shoot) camera always overexposes whites. The water certainly has some whites especially where it cascades down, but it wasn’t nearly as bleached out as in the picture.

I have added mist from the main falls which are located behind the dark trees on the right. I have also added a few bigger boulders as a foreground. The trees on the left side were given less attention as they don’t add much to the painting. I simplified the rocks so as not to over-model them and lastly, I added some dappled lights in the darker sections.

By painting sections this seemingly complicated scene can be painted effectively. Still, it is not an easy painting. I always look for the light and dark patterns and exaggerate them, that way I maintain a clear light path and order in my paintings. With flowing water, I try to pick up on its energy and make use of that as well.

This painting will be part of the first Annual Waterworks Exhibition at Laguna Plein Air Painters Association, May 1 to June 5. Please visit if you’re in the area! Click for more information.

Click to see this as an animation and more of my work on Instagram.

Now that winter’s over, it’s time for all-day plein air! My students have asked what equipment I use, so here it is for you: I use Daniel Smith pigments and Arches watercolor blocks. I paint with DaVinci Casaneo brushes using a Holbein Metal Palette 500. My portable/travel set-up includes the Sienna Plein Air Artist Pochade Box Easel, size Medium and the Sienna Tripod Easel. If you have any questions, please feel free to ask.

#WorkshopWednesday

Just a short public service announcement today: Please join me (if you can, barring the weather) next week at Yosemite National Park for my annual workshop! With budget cuts and poor funding being a stark reality for our national parks, I am proud to support this beautiful California landmark and climbers’ paradise in whatever way possible. Proceeds from class fees, materials purchases from the Art Center, and sales from my paintings go to The Yosemite Conservancy. I hope to see you there!

Read my past entries on Yosemite here.

Elsewhere (click to read):

Frank Eber workshop in Yosemite National Park

Yosemite Conservancy Blog

Frank Eber workshop in Yosemite National Park

Yosemite Conservancy on Facebook

Frank Eber workshop in Yosemite National Park

Yosemite Conservancy on Twitter

Frank Eber on Instagram

Same scene – different media – different times of the day

As you can see, I am experimenting with my art a bit right now. The fact is, I am always experimenting. I try to never get complacent, to fall into a rut and do the same thing over and over. Before you know it, as an artist, you are known to paint certain things in a certain way.
You become a ‘one trick pony’.

I avoid that at all cost. I don’t want to be put into such a drawer. I think it is important to never be static and to always change, to evolve, to move on. Artistically speaking, I mean. (Although you could make that argument for life in general as well, but that’s another blogpost… LOL)

On our last plein air outing near Bishop’s Peak, I felt I messed up my painting. At least, I didn’t like how it came out. Being there at the wrong time with the wrong light, I didn’t feel inspired but since my friends all painted I felt compelled to paint as well.

It took another trip to get better references and I feel good about the two I posted here. Both of them are not done plein air. To be honest, I had problems painting this mountain. After a few plein air attempts I figured I needed to move this into the studio to understand what it was I didn’t ‘get’. In the end, I think it was a combination of wrong light and lack of vision. I just didn’t really know how I wanted to see this painted.

The appearance of this peak changes dramatically during the course of the day, so it’s very easy to get lost. Despite all my years of painting outside, I made the cardinal mistake to follow the light. Not so much in the foreground but the light on the peak itself and promptly messed up the painting.

Repainting it in the studio made me realize what had happened. The sunrise piece is done in water-soluble oils. I used to paint lots of oils in the ’80s and ’90s and lately I have been getting back into it more. I apologize for the bad pictures, you can find a better version of the first one here. I need to learn how to take good pictures of oil paintings!

#52artworksin52weeks

People who have met me know I’m not exactly fond of social media, but the appeal of Instagram is its dedication to the visual and minimal words. Given that I’m not exactly a gifted wordsmith, I’m all for it. This year I thought I’d give Instagram a decent chance. And by decent chance I mean no more unfocused, badly-cropped pictures and half-assed captions. I would post sharp, nicely-cropped, squared-up paintings, make engaging captions, and even work in some clever hashtags. (Ha.) To dig a deeper hole, I vowed to post frequently, thus creating #52artworksin52weeks.

So far I’m up to #06of52, which happens to be this. Parents, I’m sure you’re all familiar with that look on her face!

 

And mind-bogglingly, #01of52 happens to be the most popular. Really. And it occurred to me: am I in the right genre? Should I be painting more animal portraits, less landscapes? More bichons, less barns? Someone thinks so. (Still waiting for AWS, TWSA, NWS, and CAC on their input…)

 

Last year, people were really drawn to these San Luis Obispo county landscapes. Central California is gorgeous, isn’t it? I’ve been thinking of doing a local workshop here… Watercolors and Wine. Or should it be Wine and Watercolors?

 

Finally, this city scene from Florence brings back some good memories… I conducted workshops in Tuscany in 2013 and 2015, and will be back again this year.

 

If you’re on Instagram, please drop by and say Hello! Hold my feet to the fire and make sure I get to #52of52! (And thanks for all your support.)

Yosemite in October!

“Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike.”   – John Muir, The Yosemite, 1912.

I feel privileged to be invited to teach for the Yosemite conservancy. Once a year I donate my time and take people to places around the park where we all paint together. The dates this year will be October 23 to 29 which is the height of the Autumn season, so expect spectacular colors all around the park! To pre-register go here and scroll all the way down to the bottom of the list to find my name!

I know many Americans and even Californians, who have never been to this amazing place. Words can barely describe what you’re missing out on! Every time I drive down into the valley it truly feels like arriving at some magical, mysterious location and all my worries and everyday concerns seem to vanish instantly!
Hope to see you there!

The California challenge! NOT looking at the bright side..

As a plein air painter I get to see and know the state pretty well. One of the most depressing things about California is the fact that anywhere you go, everything is fenced in. No exceptions. Even if you drive into the most remote areas, there’s apparently still enough money to put up fences, making it all but impossible to paint from anywhere else than the road.
That way many of the most beautiful vistas cannot be visited because the owners of the land put up barbed wire and signs that threaten legal action. A recurring theme in the USA.

Having said that, it’s not like that everywhere in America. In Vermont, for instance, you can park at the side of the road and with few exceptions walk anywhere you want. No barbed wires there. California? Forget it unless it’s BLM land, state owned land or a National
park. We live in this huge state and 90% of the land is inaccessible! Kind of sad, isn’t it?

So for those of you who come from out of state and especially visitors from other countries:
You may look at the beautiful rolling hills but you may not walk around and explore! Private property, no trespassing!

In Europe it’s completely different. I painted in France so much in 2008 and 2009 and never had a problem. Park at the side of the road, take gear and walk into the fields. Nobody cares. Sometimes I had to park my vehicle in someone’s vineyard, no problem either! I just put a sign on the dash (artist painting in the area) end of story. Imagine that here. Your car would be towed and they would sue you for trespassing, just because you want to paint ‘their’ land.

There’s a gynecologist in the area who actually threatened to sue an artist for painting his estate on a hill off of Highway 46. When she painted it, she wasn’t even on his land.
Her painting was on exhibition in a nearby vineyard where he spotted it on the
wall and demanded it taken off. When the owner of the vineyard refused, he pulled it down himself and took it with him. The artist had to actually call the police to get her painting back. True story!

I know this is an extreme case but you’ve got to wonder! If we don’t revere art and artists, what kind of a society are we?

I don’t want to be completely negative here because there are many people out there who welcome artists on their property. Even if they don’t know anything about art, they understand that artists play an important role in a society and they try to be supportive. My deepest thanks goes to them!
It is never a good idea to generalize everyone, but I am trying to make a point here.
In California, the fact that you own property means that you can put barbed wire around it and keep people out. In Germany and France you own the property also but you have no problem with someone walking across it and let them enjoy it as well.
The question is, why are two seemingly similar societies so different in that regard?