Skin tones are tricky business. It must not look like a doll or lifeless. The light situation, the person’s ethnicity all plays a role, of course. Base colors for skin are cobalt blue, magenta and hansa yellow. Multiple glazes must be applies to achieve depth and shape. Facial features are applied with a cross-hatch technique, almost like in graphite drawing. There it is again, the good ol’ drawing skill…
The lightest light is the white of the paper; all around the girl, her shoulders, hand and hair. I applied the background and some of her dress with gouache paint.
In portraiture, the important part is to capture the personality or character of a person. Likeness is important as well, but the former more so.
I feel these can still be much better. I also like to do more with the backgrounds and the story. The farmer is such a painting. Small time farmers are a dying breed. Like the landscapes we paint, they slowly disappear. Landscapes turn into ugly, gated McHousing developments and farming is run by huge corporations who push family farms out of business. Don’t get me started..