Studying a master’s work by copying it can have beneficial effects on our own work. It can help us through a tough time, like when we’re not sure where our art is going. It can inspire us to get to that next level! It can help understand about the painting process he or she used, the palette and color mixes. Learning by copying was done throughout the history of art.
Students would go inside museums to paint. Painters would copy each others work.
Last century, just like today, many painters painted similar subject matter. Whatever was ‘en vogue’ to paint at the time. Sargent, Sorolla, Zorn and a few others all painted models with parasols, girls bathing or naked children playing on the beach. Sadly, some would most likely be called perverts in today’s world, but that’s an issue for another post.
Today, many artists paint street scenes, en plein air. It has become ‘cool’ again, to be out on the street or in nature and paint from life. We add all things of modern life, cars, figures glass buildings, back buildings and alleys. This is our time, our place, no reason to act like they are not there…
I wanted to copy these two paintings for a long time. I greatly admire Zorn’s work. I spent hours inside the National Academy in New York this spring, looking at the 30 or so watermedia paintings, trying to understand! I was blown away, still am..
You’d be hard pressed to find anything of his caliber work anywhere out there today. Yes. There. I said it! Of course, it’s my opinion and I am not going to elaborate.
From looking at Zorn’s work and copying the woman with the bedsheets (I forgot the title of the piece) I learned how to suggest facial features by use of multiple, transparent washes.
From Sorolla (his was actually an oil painting but I did it in watercolor), the woman bathing the child, I learned how he mixed his purplish blues and his use of warm and cool colors in such subtle and delicate ways. Very inspiring!